For most of the way, "Connecticut Yankee" is a wonderfully funny and wildly improbable romp through Arthurian England, but toward the end it turns dark, with a bloody massacre that, as Justin Kaplan suggests in his introduction to the Penguin Classics edition, reflects Twain's own disenchantment with the mechanized modern world for which he had once held such high hopes. We now know, from the convenient vantage point of hindsight, that the darkness that had descended upon Twain never really lifted, and his writing became more eccentric and even angry as he railed against Christianity, despotism, humanity itself and anything else that aroused his considerable capacity for invective.
For more of this fascinating analysis, I encourage you to read the rest of the article right here.
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